Mizusaki resides within the Asylum, an abandoned stadium community formed by homeless individuals and runaways. This group maintains its own society and collectively opposes government demolition efforts. Mizusaki participates in organizing the Asylum Session, an artistic event showcasing large-scale artworks and performances to demonstrate the community's cultural value and gain public support. This initiative challenges eviction justifications by asserting the residents' presence and rights through cultural expression, avoiding physical confrontation. When police forces move to demolish the stadium, Mizusaki joins the broader community resistance during escalating conflicts. Amid direct confrontations with law enforcement, Mizusaki defends their living space alongside fellow residents.