OVA
Description
Yoshijirō Saku, a second-year transfer student at Kōka Academy—an institution famed for theatrical pursuits—intervenes on his first day when classmate Mirai Aoi attempts to defend a bullied student using a baseball bat. He halts Mirai's assault and personally confronts the bullies, defeating them. Yukihito, head of the Drama Club, witnesses the event and falsely frames it as unprovoked violence. Consequently, Yoshijirō and all of Class 2-B face expulsion unless they mount a successful theatrical production against the Drama Club.

Physically, Yoshijirō sports brown spiky hair and pink eyes, clad in a standard gakuran uniform. His personality merges proactive honor with a delinquent history. He exhibits confidence in physical confrontations and deploys strategic methods to achieve objectives, including seduction to persuade reluctant female classmates into joining the play.

His development shifts from self-interest to dedicating himself to unifying Class 2-B. Initially dismissing the class as problematic and seeking distance, he assumes leadership as the play's director. To recruit male classmates, he engages in tailored activities: music sessions with a rocker, baseball with an athlete, and physical fights with resistant members. With female peers, he forges intimate connections, leading to sexual encounters with Mirin, Amu Uzuki, and Hijiri Takano.

Key relationships include his dynamic with Mirai, who evolves from hostility to addressing him as "Boss" after his anti-bullying intervention. He also interacts with Professor Sakamoto, accidentally groping her during a fall, and cultivates casual sexual relationships with peers like Mirin—encountered in a bathroom stall after witnessing her with another student.

Throughout the narrative, Yoshijirō strives to overturn the class's "rejects and weirdos" reputation by motivating members through individualized challenges and collaborations. His efforts foster gradual unity, amplified by recruiting professional actress Amu Uzuki for the production. The story concludes without resolving the play's outcome, emphasizing the class's newfound cohesion and Mirai's deepening trust in his leadership.