The ex-girlfriend, acting as the client, hires Anna to abduct the Professor during his wedding ceremony. Her face remains unseen by Anna throughout their dealings. Driven by a desire to die with the Professor before he marries another, she reveals unresolved motivations rooted in their past relationship. She orchestrates the kidnapping remotely, with no direct interaction shown between her and the abducted Professor. Representing the Professor's romantic history, this unseen architect serves as the catalyst for the central conflict, embodying the narrative's exploration of love's destructive potential without physically appearing within the depicted film timeline.