Russia first appeared as the Soviet Union before representing the Russian Federation. His personality presents an outwardly gentle, childlike facade that masks underlying instability and unintentional cruelty. This duality originates from a traumatic history of invasions, harsh winters personified as "General Winter," and prolonged isolation, fueling his desire for warmth, sunflowers, and companionship, though he often frightens others away. He constantly wears a signature scarf, gifted by his sister Ukraine in childhood, which serves as emotional comfort and a symbolic extension of himself, sometimes functioning almost like a limb.

Historically bullied and manipulated as a young nation, Russia underwent a psychological shift from timidity to imposing intimidation. His expansionist actions and Soviet-era policies involved coercion and abuse, particularly towards the Baltic states (Lithuania, Latvia, Estonia), with Lithuania experiencing specific manipulation. He employed chants like "kolkolkol" to threaten others, reflecting collectivization policies or historical violence. He maintains a nostalgic yet troubled bond with his sisters: Ukraine, who raised him but now avoids him, and Belarus, whose obsessive romantic pursuit causes him fear and distress.

Russia interacts with other nations through possessiveness and misguided affection. He stalks China while disguised in a panda costume, seeking unity despite China's suspicion, and sustains a rivalry with America, whom he admires yet threatens to "crush." His relationships with the Baltics remain strained due to past subjugation, though he considers them friends. Unique hobbies include collecting faucet pipes as war trophies, knitting, and technological interference—exemplified by hacking Finland's devices to force interaction. He relies on vodka and maintains a fixation on sunflowers, symbolizing coping mechanisms and escapism.

In *Paint it, White!*, Russia joins the "World 8" nations fighting extraterrestrial Picts draining Earth's color and emotion. Aboard their spacecraft, he demonstrates cultural outreach by presenting ballet, forcing the Baltic trio to perform in ballerina costumes—an act the Picts find "odd." Later, on a deserted island, he participates in the group's battle against the Picts, is transformed into a colorless entity, and is subsequently restored. His actions in the film reflect his broader traits: a blend of intimidation, cultural pride, and indirect support of the allies' efforts.