Episode 11 of Heavenly Delusion begins with a brief glimpse into the academy, showcasing a new child with ears resembling Mimihime's, subtly illustrating the spread of similar mutations among the students.
At the end of the opening sequence, we once again see Kiruko and Maru continuing their search for Heaven. Their pursuit is juxtaposed with a scene featuring the director, highlighting the contrast between the two figures' goals: Maru is determined to reach Heaven, while the director seeks to control it for his personal gain.
Interestingly, behind the director hangs a portrait of Izanami and Izanagi, figures from Shinto mythology who govern life and death. This artistic choice underscores the director's ambition to wield dominion over life and death.
The narrative then shifts to Sawatari, who is watching over Tokyo and Kona's child. Sawatari's reactions remain concealed, leaving this subplot shrouded in mystery.
Our journey with Kiruko and Maru continues, introducing us to the Ibaraki facility and a gaunt-looking Inazaki Robin. His drastic transformation piques curiosity about the experiences that led him to this point.
Back at the academy, a gripping scene unfolds as Mimihime attempts to help another girl. The horror and terror of the situation are palpable, with Mimihime's ability to foresee the future amplifying her fear.
Later in the episode, Mimihime delves deeper into her predicament when she encounters Kona, whom she envisions as a Hiruko in a haunting hallucination. Despite her fear, she strives to aid the young girl causing these hallucinations, showcasing Mimihime's courage and empathy.
Meanwhile, Aoshima and Sawatari devise a plan to remove Tokyo's child from the academy. An intriguing detail here is their positioning on opposite sides of the Izanami and Izanagi painting, possibly symbolizing their differing roles or perspectives. Sawatari's interactions with the babies, including feeding them, further heightens the tension in this subplot.
Finally, the episode introduces a "test" at Takahara Academy, where the word Hiruko is mentioned, unsettling the children. Notably, the characters are only shown in pairs, and based on Mimihime's foresight, it seems likely that one person in each pair will transform into a Hiruko.
This article was originally published in German. It was translated with technical support and editorially reviewed before publication.