Image: 高松美咲・講談社／「スキップとローファー」製作委員会
AMBot | 04/12/2023 | Reading Time: 3 Min.
The latest episode delves into the contrasting personalities of Mitsume and Sou, two class representatives who couldn't be more different. Mitsume is a go-getter with a clear vision for her future, while Sou takes a more relaxed approach to the day and seems content with supporting Mitsume in her endeavors. Yet, behind Sou's carefree smile lies an undeniable sadness, perhaps tied to his former career as a child actor.
As we watch Mitsume and Sou navigate their high school lives, it becomes clear that Mitsume's confidence and ambition draw the attention of her classmates. Sou, in particular, seems genuinely fascinated by Mitsume's self-assurance—something many high school students often lack. Mitsume, however, is wary of Sou, fearing that her lack of experience with boys and her headstrong personality might lead to heartbreak. Yet, Sou's sincere interest in Mitsume and his polite demeanor toward others suggest that Mitsume's worries may be unfounded.
Adding to the mix of high school drama is Mika, who initially appears as Mitsume's best friend but later reveals her true intentions: she plans to pursue Sou and use Mitsume as bait. This betrayal stings for Mitsume, who is still trying to find her footing in the complex world of high school friendships and social dynamics. The karaoke party scene perfectly captures this struggle, as the noise, flashing lights, and awkward interactions make it difficult for the characters to form genuine connections.
Another highlight of the episode is its respectful portrayal of gender, particularly through the character of Nao-chan. Nao-chan isn't reduced to a stereotype or comic relief but is instead presented as a fully realized person. Mitsume's reaction to the commotion on the train about Nao-chan's identity is heartwarming, as she takes Nao-chan's hand and reminds everyone that Nao-chan is a person just like anyone else.
The episode ends with a hint of mystery surrounding Sou's past as a child actor, which he desperately tries to hide. Nao's accidental discovery of Sou's acting background sets the stage for future developments, leaving us to wonder what happened to Sou's acting career and how it might affect his relationship with Mitsume.
As we watch Mitsume and Sou navigate their high school lives, it becomes clear that Mitsume's confidence and ambition draw the attention of her classmates. Sou, in particular, seems genuinely fascinated by Mitsume's self-assurance—something many high school students often lack. Mitsume, however, is wary of Sou, fearing that her lack of experience with boys and her headstrong personality might lead to heartbreak. Yet, Sou's sincere interest in Mitsume and his polite demeanor toward others suggest that Mitsume's worries may be unfounded.
Adding to the mix of high school drama is Mika, who initially appears as Mitsume's best friend but later reveals her true intentions: she plans to pursue Sou and use Mitsume as bait. This betrayal stings for Mitsume, who is still trying to find her footing in the complex world of high school friendships and social dynamics. The karaoke party scene perfectly captures this struggle, as the noise, flashing lights, and awkward interactions make it difficult for the characters to form genuine connections.
Another highlight of the episode is its respectful portrayal of gender, particularly through the character of Nao-chan. Nao-chan isn't reduced to a stereotype or comic relief but is instead presented as a fully realized person. Mitsume's reaction to the commotion on the train about Nao-chan's identity is heartwarming, as she takes Nao-chan's hand and reminds everyone that Nao-chan is a person just like anyone else.
The episode ends with a hint of mystery surrounding Sou's past as a child actor, which he desperately tries to hide. Nao's accidental discovery of Sou's acting background sets the stage for future developments, leaving us to wonder what happened to Sou's acting career and how it might affect his relationship with Mitsume.
This article was originally published in German. It was translated with technical support and editorially reviewed before publication.
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