Daisuke Furuya
Description
Daisuke Furuya is a Japanese manga artist and storyboard artist, primarily recognized for his work on the popular dark fantasy series Seraph of the End. His professional role is distinct within the manga industry, as he is credited for providing storyboards rather than the final illustrations for several major publications.
Furuya made his debut as a manga artist in 2004 with a short story titled Nekomata Matamune, which was published in the GAG Special 2005 supplement of Weekly Shonen Jump. In that same year, he also began working in anime production, contributing as a key animator for the long-running series Keroro Gunsou and as an in-between animator for Studio Ghibli's film Howl's Moving Castle.
His first significant long-term project began in 2007 with the manga adaptation of the light novel series Kure-nai. For this series, Furuya took on the role of storyboarder, adapting the screenplay by Hideaki Koyasu. The final artwork for Kure-nai was drawn by illustrator Yamato Yamamoto. This collaboration established a working relationship that would define Furuya's career, as the series ran until 2012 and was published across ten volumes.
Following the conclusion of Kure-nai, Furuya, Kagami, and Yamamoto reunited in late 2012 to launch Seraph of the End in Shueisha's Jump Square magazine. Within this creative team, Furuya holds the specific and indispensable position of storyboard artist. In this capacity, he takes the written narrative and scripts from author Takaya Kagami and translates them into detailed storyboards, which establish the panel layouts, pacing, and visual flow of each chapter. These storyboards are then used as the blueprint by illustrator Yamato Yamamoto, who draws the final published artwork. This production process continued as the manga became a long-running success, with over fifteen million copies in circulation by October 2022.
Furuya is also credited as a co-creator on the spin-off gag manga, Serapuchi! Owari no Seraph 4-koma Hen. This series, which was illustrated by Ren Aokita, is a four-panel comedy that parodies the characters and situations of the main story. It was serialized in Jump Square from April to December 2015 to commemorate the anime adaptation. Furuya shares writing credits on the spin-off with Takaya Kagami and Yamato Yamamoto.
His work is defined by a consistent and long-term collaborative partnership with author Takaya Kagami and illustrator Yamato Yamamoto. While his name may not be the most prominent on the cover of a tankobon volume, his role as storyboarder is a crucial part of the production pipeline for Seraph of the End, acting as the essential link between the script and the final illustrated pages. This behind-the-scenes role makes him a significant figure in the creation of the manga, even as he remains less known to the general audience than the primary writer and illustrator.
Furuya made his debut as a manga artist in 2004 with a short story titled Nekomata Matamune, which was published in the GAG Special 2005 supplement of Weekly Shonen Jump. In that same year, he also began working in anime production, contributing as a key animator for the long-running series Keroro Gunsou and as an in-between animator for Studio Ghibli's film Howl's Moving Castle.
His first significant long-term project began in 2007 with the manga adaptation of the light novel series Kure-nai. For this series, Furuya took on the role of storyboarder, adapting the screenplay by Hideaki Koyasu. The final artwork for Kure-nai was drawn by illustrator Yamato Yamamoto. This collaboration established a working relationship that would define Furuya's career, as the series ran until 2012 and was published across ten volumes.
Following the conclusion of Kure-nai, Furuya, Kagami, and Yamamoto reunited in late 2012 to launch Seraph of the End in Shueisha's Jump Square magazine. Within this creative team, Furuya holds the specific and indispensable position of storyboard artist. In this capacity, he takes the written narrative and scripts from author Takaya Kagami and translates them into detailed storyboards, which establish the panel layouts, pacing, and visual flow of each chapter. These storyboards are then used as the blueprint by illustrator Yamato Yamamoto, who draws the final published artwork. This production process continued as the manga became a long-running success, with over fifteen million copies in circulation by October 2022.
Furuya is also credited as a co-creator on the spin-off gag manga, Serapuchi! Owari no Seraph 4-koma Hen. This series, which was illustrated by Ren Aokita, is a four-panel comedy that parodies the characters and situations of the main story. It was serialized in Jump Square from April to December 2015 to commemorate the anime adaptation. Furuya shares writing credits on the spin-off with Takaya Kagami and Yamato Yamamoto.
His work is defined by a consistent and long-term collaborative partnership with author Takaya Kagami and illustrator Yamato Yamamoto. While his name may not be the most prominent on the cover of a tankobon volume, his role as storyboarder is a crucial part of the production pipeline for Seraph of the End, acting as the essential link between the script and the final illustrated pages. This behind-the-scenes role makes him a significant figure in the creation of the manga, even as he remains less known to the general audience than the primary writer and illustrator.
Works
- Topics: Anime overview
- Topics: Manga overview