Anastasia Cassandra
Description
Anastasia Cassandra is a French voice actress known for her work in animation, television series, and film dubbing. Her career includes a specialization in providing voices for young female characters and adult women, a niche that has defined much of her professional output in the French voice-over industry.
Cassandra's professional background is rooted in performance and media. Before focusing on voice acting, she gained experience in journalism, specifically in the creation of radio news bulletins. This was followed by a period in theater, both as a performer and as a teacher for children and pre-adolescents, where she focused on the process of creating theatrical spectacles. The COVID-19 pandemic marked a turning point in her career, leading her to pivot more decisively toward the field of dubbing. Since that period, she has also explored work in television branding and imaging.
In the world of anime, Anastasia Cassandra is most recognized for her role in the popular series BEASTARS. She provides the French voice for the character Azuki, a role she performs in the show's final season. Her vocal profile is described as a light, medium-range voice, which makes her well-suited for teenage characters and young adult roles in animation.
Beyond her work in anime, Cassandra's dubbing portfolio is extensive and includes a variety of live-action series and films. Her credits include roles in long-running medical dramas such as Grey's Anatomy, where she has voiced several different characters including a nurse named Marilu and a character named Pru. She has also worked on the action-comedy series Twisted Metal as Goddess Janice, the legal drama Accidente as a school teacher, and the fantasy series La voix du lac as Rose Levitsky. Her film work includes roles in the comedy-drama Nonnas, where she voices the young Bruno, and the independent film Showing Up as Holly.
Beyond her performance work, Cassandra is an outspoken advocate on the issue of artificial intelligence in the creative industries. She has publicly voiced her opposition to the use of AI for voice cloning and data scraping, describing it as an existential threat to the profession of voice acting. She emphasizes that a voice is a form of biometric data and a component of an individual's identity, and has taken formal steps to oppose the use of her voice for AI training.
Cassandra's professional background is rooted in performance and media. Before focusing on voice acting, she gained experience in journalism, specifically in the creation of radio news bulletins. This was followed by a period in theater, both as a performer and as a teacher for children and pre-adolescents, where she focused on the process of creating theatrical spectacles. The COVID-19 pandemic marked a turning point in her career, leading her to pivot more decisively toward the field of dubbing. Since that period, she has also explored work in television branding and imaging.
In the world of anime, Anastasia Cassandra is most recognized for her role in the popular series BEASTARS. She provides the French voice for the character Azuki, a role she performs in the show's final season. Her vocal profile is described as a light, medium-range voice, which makes her well-suited for teenage characters and young adult roles in animation.
Beyond her work in anime, Cassandra's dubbing portfolio is extensive and includes a variety of live-action series and films. Her credits include roles in long-running medical dramas such as Grey's Anatomy, where she has voiced several different characters including a nurse named Marilu and a character named Pru. She has also worked on the action-comedy series Twisted Metal as Goddess Janice, the legal drama Accidente as a school teacher, and the fantasy series La voix du lac as Rose Levitsky. Her film work includes roles in the comedy-drama Nonnas, where she voices the young Bruno, and the independent film Showing Up as Holly.
Beyond her performance work, Cassandra is an outspoken advocate on the issue of artificial intelligence in the creative industries. She has publicly voiced her opposition to the use of AI for voice cloning and data scraping, describing it as an existential threat to the profession of voice acting. She emphasizes that a voice is a form of biometric data and a component of an individual's identity, and has taken formal steps to oppose the use of her voice for AI training.