TV-Series
Description
In the remote landscapes of Iceland at 64 degrees north latitude, seventeen-year-old Kei Miyama lives with three closely guarded secrets. He works as a freelance private investigator, he struggles to interact with pretty girls, and he possesses the strange ability to converse with cars. Driving his beloved Suzuki Jimny across the island's vast and empty roads, Kei makes a living by taking on unusual cases that range from tracking down a lost family dog to reuniting a woman with a man she fell for at first sight.
Kei comes from an unusual bloodline. His French grandfather Jacques can communicate with birds, a gift that often leaves his human body unconscious while his spirit travels among them. Kei himself has always felt a deeper connection to machines than to people, a trait that began in childhood when he would take apart mechanical objects and hear them speak back to him. This ability proves useful in his detective work, though it remains unclear whether the cars truly talk or the conversations happen entirely within his own mind.
The early days of Kei’s life in Iceland unfold in small, self-contained investigations that showcase his talents and introduce the rhythms of this northern land. He works alongside his grandfather, a charming older man who still maintains a lively romantic life, including a relationship with an actress named Katla. Through this connection, Kei encounters Lilja, Katla’s niece, an aloof and strikingly beautiful Icelandic girl whose first meetings with Kei are anything but ordinary. He wakes to find her stealing his blanket after his car overturns, later encounters her bathing nude in a stream, and finds her on top of him drenched in rain when he fell asleep in his stranded vehicle. Lilja initially regards him with cold anger, but she gradually warms to him, revealing her own sensitivity to sound and her ability to read people through their footsteps.
The episodic nature of Kei’s detective work gives way to a darker and more personal mystery when he loses contact with his younger brother, Michitaka, who lives with relatives in Japan. Calls go unanswered. Messages receive no reply. Kei and his grandfather travel to Japan to investigate, only to discover an empty house, an aunt who died in an accident, an uncle who succumbed to illness, and a fifteen-year-old brother who has vanished. The authorities know little, and the few answers Kei uncovers only deepen his unease. Michitaka, it seems, may not be the sweet and gentle boy Kei remembers from childhood. There are whispers of a darker side, of an ability that might allow him to harm others from within, of a growing list of troubling actions.
The search carries Kei back to Iceland, where his brother may have gone looking for him. The mystery deepens as Kei learns that his aunt and uncle are dead in ways that resist simple explanation, and that his brother has become entangled in something dangerous. Kei himself is attacked by someone with a grudge against Michitaka, and the confrontation leaves more questions than answers. All the while, Lilja becomes an unexpected source of comfort during the turmoil, playing her cello to help Kei sleep when illness and exhaustion overwhelm him, and accompanying him on journeys across the Icelandic wilderness in search of the truth.
The narrative moves between the haunting beauty of Iceland’s volcanic landscapes and the quiet desperation of a young detective unraveling a mystery that strikes closer to home than any paid case. Kei drives through mist and along empty coastal roads, following whatever fragments of conversation his car can offer, while his grandfather sends birds to scout ahead. Together they chase the ghost of a brother who may have become something unrecognizable, and Kei must confront the possibility that the same strange blood that lets him speak to machines has given his younger sibling something far more dangerous. In a land where folklore speaks of elves and spirits that roam the wild at night, the line between the mundane and the magical, between warmth and violence, grows thinner with every mile traveled north by northwest.
Kei comes from an unusual bloodline. His French grandfather Jacques can communicate with birds, a gift that often leaves his human body unconscious while his spirit travels among them. Kei himself has always felt a deeper connection to machines than to people, a trait that began in childhood when he would take apart mechanical objects and hear them speak back to him. This ability proves useful in his detective work, though it remains unclear whether the cars truly talk or the conversations happen entirely within his own mind.
The early days of Kei’s life in Iceland unfold in small, self-contained investigations that showcase his talents and introduce the rhythms of this northern land. He works alongside his grandfather, a charming older man who still maintains a lively romantic life, including a relationship with an actress named Katla. Through this connection, Kei encounters Lilja, Katla’s niece, an aloof and strikingly beautiful Icelandic girl whose first meetings with Kei are anything but ordinary. He wakes to find her stealing his blanket after his car overturns, later encounters her bathing nude in a stream, and finds her on top of him drenched in rain when he fell asleep in his stranded vehicle. Lilja initially regards him with cold anger, but she gradually warms to him, revealing her own sensitivity to sound and her ability to read people through their footsteps.
The episodic nature of Kei’s detective work gives way to a darker and more personal mystery when he loses contact with his younger brother, Michitaka, who lives with relatives in Japan. Calls go unanswered. Messages receive no reply. Kei and his grandfather travel to Japan to investigate, only to discover an empty house, an aunt who died in an accident, an uncle who succumbed to illness, and a fifteen-year-old brother who has vanished. The authorities know little, and the few answers Kei uncovers only deepen his unease. Michitaka, it seems, may not be the sweet and gentle boy Kei remembers from childhood. There are whispers of a darker side, of an ability that might allow him to harm others from within, of a growing list of troubling actions.
The search carries Kei back to Iceland, where his brother may have gone looking for him. The mystery deepens as Kei learns that his aunt and uncle are dead in ways that resist simple explanation, and that his brother has become entangled in something dangerous. Kei himself is attacked by someone with a grudge against Michitaka, and the confrontation leaves more questions than answers. All the while, Lilja becomes an unexpected source of comfort during the turmoil, playing her cello to help Kei sleep when illness and exhaustion overwhelm him, and accompanying him on journeys across the Icelandic wilderness in search of the truth.
The narrative moves between the haunting beauty of Iceland’s volcanic landscapes and the quiet desperation of a young detective unraveling a mystery that strikes closer to home than any paid case. Kei drives through mist and along empty coastal roads, following whatever fragments of conversation his car can offer, while his grandfather sends birds to scout ahead. Together they chase the ghost of a brother who may have become something unrecognizable, and Kei must confront the possibility that the same strange blood that lets him speak to machines has given his younger sibling something far more dangerous. In a land where folklore speaks of elves and spirits that roam the wild at night, the line between the mundane and the magical, between warmth and violence, grows thinner with every mile traveled north by northwest.
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