Edward Teach, the pirate Blackbeard, emerges as a chaotic enigma blending ruthless Caribbean conquests with fervent otaku subculture. His mythos weaves legendary defiance of death—persisting in battle through mortal wounds and swimming headless for days. Wielding the Holy Grail, he summons allies like Anne Bonny and Mary Read, yet his schemes pivot on obsessions: capturing the goddess Euryale and outmaneuvering rival Francis Drake. Crude humor and harems provoke frequent clashes, yet a warped honor code tempers his actions, sparing children while taunting peers. In comedic arcs, he spearheads a Servant strike for labor equality, securing reforms only to see them crumble as lower-tier Servants spurn added duties, exposing systemic flaws through farcical futility. Among pirates, he nurses envy toward Columbus’s legacy, shares volatile kinship with Anne and Mary, and oscillates between begrudging allure and contempt for Drake. He champions piracy’s lawless creed, declaring treasure ownerless, yet modernity warps his ambitions, prioritizing virtual romances over tangible bonds. Combat-wise, he bolsters allies with fleeting buffs, sustains himself via healing and Guts, but unreliable Noble Phantasm effects and scant NP gain undermine his tactics, mirroring his chaotic duality of support and self-interest. Event escapades cast him as a farcical foil: proclaiming female Servants “wives,” decrying Valentine’s Day as tyranny alongside Spartacus, and evading accountability in stranded crises. Each plot crescendos in humiliating downfalls, etching his role as a tenacious yet bungling antagonist—a flawed architect of mischief, perpetually outwitted but never subdued.