OVA
Description
Momoko Asuka is a central character introduced during the third season of the Ojamajo Doremi series and appears in the original video animation Ojamajo Doremi Na-i-sho. Born in Japan on May 6, she moved to New York City as a young child due to her father’s work as an architect and her mother’s career as a photographer. Growing up in the United States, she lost most of her Japanese language ability and adopted an Americanized manner of speaking and thinking. When she returns to Japan as a fifth grader, she initially struggles to communicate and fit in, appearing quiet and overwhelmed. However, once Doremi and the other witch apprentices reach out to her, Momoko reveals a bright, energetic, and outgoing personality. She is easily excited, very passionate about things she cares about, and enjoys helping others. She is also intelligent and perceptive, though she can be blunt and sometimes unintentionally comedic due to her misunderstandings of Japanese customs.

Momoko’s motivations are deeply tied to her past as a witch apprentice. Before meeting Doremi, she was the apprentice of the witch Majo Monroe, who ran a magical bakery in New York. Momoko accidentally discovered Majo Monroe’s identity, turning her into a witch frog. Determined to restore her, Momoko trained hard and eventually passed her first‑level exam. But just as she succeeded, Majo Monroe died of old age while still in frog form. Grief‑stricken, Momoko attempted to use forbidden magic to revive her, which shattered her crystal ball and cost her the ability to become a full witch. The Queen of the Witch World later gave her a second chance, allowing her to resume her training alongside Doremi and the others. This loss and her subsequent resilience shape much of her emotional arc; she learns to accept her mentor’s passing and channels her love of baking into her new role.

In the story, Momoko joins the group at the start of the third season, sent by the Queen to help Doremi, Hazuki, Aiko, and Onpu pass their patisserie exams. She brings invaluable expertise in pastry‑making, having worked alongside Majo Monroe. The Maho‑do shop is remodeled into a bakery, and Momoko becomes the team’s chief baker. During the events of Na-i-sho, which takes place in the summer between the third and fourth seasons, the character receives additional focus as the series explores more personal and romantic developments for each of the five witches. Momoko’s episodes in the OVA touch on her evolving feelings and her continued adjustment to life in Japan.

Her key relationships center on the other witch apprentices. She is closest to Doremi, whose high energy matches her own; they share a bond of mutual enthusiasm and support. Momoko also forms a strong friendship with Onpu, who helps her overcome moments of self‑doubt. With Hana, the magical baby who later ages into a child, Momoko becomes one of her five “mothers,” caring for her with genuine warmth despite initial inexperience. She develops a maternal bond and is affectionately called “Momo” by Hana. Her relationship with her fairy, Nini, is steady and supportive.

Over the course of the series, Momoko undergoes noticeable development. She transitions from a shy, insecure girl who struggles with the Japanese language and culture into a confident, outspoken young woman who embraces both her American upbringing and her Japanese heritage. She learns to speak Japanese more fluently through daily interactions and even begins to appreciate and misunderstand Japanese traditions in her own unique way. Her grief over Majo Monroe fades into a cherished memory, and she fully commits to her dream of becoming a professional pastry chef. By the end of the series, she decides to study patisserie in France, a goal she pursues with determination.

Momoko’s notable abilities include exceptional baking and pastry skills, honed under Majo Monroe. She is also athletic and physically capable, though she can be clumsy. She plays the guitar, which she learned from her best friend in New York. Her magical spells revolve around a guitar‑shaped instrument called a Polon, and her transformation phrase is “Puritii witchi Momoko‑chi.” Her magical stage involves a refreshing, clean‑looking aura. She is particularly sensitive to issues of discrimination and will speak out passionately when she witnesses unfair treatment, reflecting the strong moral sense she developed while living in a diverse environment.
Cast