TV-Series
Description
Mina Hazuki is a Contractor and an operative of the Japanese Government's Section 3, the same division that employs figures such as Genma and Yōko. She has long, straight black hair with squarely cut bangs covering her forehead and purple eyes. Her typical attire is a black, western-style business suit.
Her background is tied to a samurai family, and she was once an assassin for that family before being cast out by its head, her grandfather. She was forced to survive on her own until she became a Contractor. Within Section 3, she acts as a high-ranking field agent tasked with hunting down targets of interest, most notably Suo and Shion Pavlichenko.
Professionally, Mina operates with a stoic, cold demeanor. She is highly efficient and serious in her duties, seldom displaying overt emotion. Despite this outward composure, she forms loyal bonds with her colleagues, particularly Yōko. When Yōko is brutally murdered, Mina is visibly shaken and mourns her passing, kissing her corpse and swearing vengeance against Hei, whom she holds responsible.
Her Contractor ability allows her to charge any object she touches with energy, effectively turning it into a weapon. This enables her to make a simple wooden sword strong enough to cut through steel, or to turn scrap materials into potent projectiles. She also wields retractable metal cables similar to those used by Hei, adding versatility to her combat style. In addition to her power, Mina possesses excellent physical skills, including taijutsu and swordsmanship, likely honed from her samurai family training. She also has keen eyesight and intuition, enabling her to spot targets from miles away and detect concealed presences. Her remuneration, the compulsory cost she must pay after using her abilities, is kissing a man, an act she finds personally distasteful.
Throughout the events of Gemini of the Meteor and the preceding Gaiden OVAs, Mina remains a persistent antagonist, using her abilities and perception to pursue Suo, Shion, and Hei across Japan and Russia. Her development is largely defined by her reaction to Yōko's death, which transforms her cold professionalism into a personal vendetta. She ultimately demonstrates that beneath her severe exterior, she is capable of deep, if only selectively shown, loyalty and grief.
Her background is tied to a samurai family, and she was once an assassin for that family before being cast out by its head, her grandfather. She was forced to survive on her own until she became a Contractor. Within Section 3, she acts as a high-ranking field agent tasked with hunting down targets of interest, most notably Suo and Shion Pavlichenko.
Professionally, Mina operates with a stoic, cold demeanor. She is highly efficient and serious in her duties, seldom displaying overt emotion. Despite this outward composure, she forms loyal bonds with her colleagues, particularly Yōko. When Yōko is brutally murdered, Mina is visibly shaken and mourns her passing, kissing her corpse and swearing vengeance against Hei, whom she holds responsible.
Her Contractor ability allows her to charge any object she touches with energy, effectively turning it into a weapon. This enables her to make a simple wooden sword strong enough to cut through steel, or to turn scrap materials into potent projectiles. She also wields retractable metal cables similar to those used by Hei, adding versatility to her combat style. In addition to her power, Mina possesses excellent physical skills, including taijutsu and swordsmanship, likely honed from her samurai family training. She also has keen eyesight and intuition, enabling her to spot targets from miles away and detect concealed presences. Her remuneration, the compulsory cost she must pay after using her abilities, is kissing a man, an act she finds personally distasteful.
Throughout the events of Gemini of the Meteor and the preceding Gaiden OVAs, Mina remains a persistent antagonist, using her abilities and perception to pursue Suo, Shion, and Hei across Japan and Russia. Her development is largely defined by her reaction to Yōko's death, which transforms her cold professionalism into a personal vendetta. She ultimately demonstrates that beneath her severe exterior, she is capable of deep, if only selectively shown, loyalty and grief.