TV-Series
Description
Defrott is an S-class vampire appearing as a notably short young man with distinctive features, including blue slitted eyes shifting to red in his vampire state and naturally soft, fluffy curly hair. He dons crisp professional attire: white pants, a creme-colored coat featuring a navy blue interior and ruffle-ended cuffs, a white undercoat with a ruffled collar, and brown boots.
Intelligent and mysterious, he speaks with mature mannerisms and exhibits an obsession with beauty. His profession as a famed stage actor and singer fuels his public renown. Within the theater community, he forms significant bonds, particularly mentoring the actress Misaki to improve her skills. When Misaki suffers fatal injuries in a stage prop accident, Defrott grants her wish to perform as Salome for her fiancé, Maeda, by turning her into a vampire. This act inadvertently leads to her loss of sanity and eventual suicide by sunlight after meeting Maeda.
Defrott later encounters Maeda severely injured during the 1923 Great Kanto earthquake. To save Maeda's life and compel him to honor Misaki's last wishes, Defrott transforms him into a vampire. This transformation results in Maeda's mental instability and violent behavior, including an accidental attack on the human reporter Aoi Shirase, whom Defrott also befriends. Defrott maintains this friendship with Aoi, sharing their interest in theater, while concealing his vampiric nature from her until later events.
His actions are driven by a complex sense of responsibility towards those he transforms, though he demonstrates subtle manipulation, such as referencing the Cain and Abel story while urging Maeda to confront Lieutenant General Nakajima. By the series' conclusion, his ultimate fate remains unresolved, though he narrates the final episode using William Blake's "Little Girl Lost," underscoring the overarching themes of loss and transformation.
Intelligent and mysterious, he speaks with mature mannerisms and exhibits an obsession with beauty. His profession as a famed stage actor and singer fuels his public renown. Within the theater community, he forms significant bonds, particularly mentoring the actress Misaki to improve her skills. When Misaki suffers fatal injuries in a stage prop accident, Defrott grants her wish to perform as Salome for her fiancé, Maeda, by turning her into a vampire. This act inadvertently leads to her loss of sanity and eventual suicide by sunlight after meeting Maeda.
Defrott later encounters Maeda severely injured during the 1923 Great Kanto earthquake. To save Maeda's life and compel him to honor Misaki's last wishes, Defrott transforms him into a vampire. This transformation results in Maeda's mental instability and violent behavior, including an accidental attack on the human reporter Aoi Shirase, whom Defrott also befriends. Defrott maintains this friendship with Aoi, sharing their interest in theater, while concealing his vampiric nature from her until later events.
His actions are driven by a complex sense of responsibility towards those he transforms, though he demonstrates subtle manipulation, such as referencing the Cain and Abel story while urging Maeda to confront Lieutenant General Nakajima. By the series' conclusion, his ultimate fate remains unresolved, though he narrates the final episode using William Blake's "Little Girl Lost," underscoring the overarching themes of loss and transformation.