Ichirō Suzuki, a young tourist from Tokyo, arrives at Okinawa's Hotel Higa seeking respite. His presence immediately triggers escalating supernatural phenomena: fish drift through the air, a colossal banyan tree erupts through the ceiling, and time distorts into a perpetual sunset. He remains reserved and enigmatic, outwardly unfazed by these events. Dialogue hints at unresolved stress from his life in Tokyo, stemming from a failed career as a promising dancer or singer, with these suppressed emotions manifesting as the disturbances.

Little is revealed about his background beyond being a solo traveler; rumors suggest he might be a celebrity avoiding attention. The phenomena intensify during his personal turmoil and are uniquely tied to his location. Okinawan elements—Shisa guardian spirits and local deities—intertwine ambiguously with the manifestations.

Interactions with Maise Higa, the hotel's front-desk employee, expose his guarded nature. He initially avoids discussing the strangeness but later acknowledges the abnormalities as reflections of his inner struggles. This leads Maise to confront the supernatural forces on his behalf, implying a growing connection. Okinawan spirits ultimately intervene, facilitating his need for emotional release.