TV-Series
Description
Makoto Sawatari is a mysterious young woman who appears abruptly in the story of Kanon, first encountered when she attacks Yuuichi Aizawa in the middle of town. She has lost nearly all of her memories, retaining only her name and a deep-seated grudge against Yuuichi, which she believes stems from events that occurred seven years earlier when he visited the city as a child. Her amnesia is notably more severe than that of other characters and originates from a unique source. She is taken in by Yuuichi and his cousin Nayuki Minase, becoming a guest in the Minase household for the remainder of her arc.

Her personality is defined by a pronounced mischievous and playful streak, which she primarily expresses through a series of escalating pranks directed at Yuuichi. These range from dropping food on him to throwing lit firecrackers into his room, all fueled by her stated dislike for him. She consistently refers to herself in the third person and uses the peculiar exclamation auu~ when she feels frustrated or sad. Despite her outward antagonism, she demonstrates a sincere and tender side, particularly toward animals. She takes in a stray cat she names Piro, whom she loves dearly and often carries around on her head, a gesture rooted in her sadness over pets being abandoned by their owners. Over time, as she begins to feel more like a member of the Minase family rather than a stranger, her hostility toward Yuuichi softens, and she genuinely comes to care for him, looking past her initial resentment. She can be naive about everyday social knowledge, lacking common sense in areas such as buying her own food or manga, a consequence of her limited life experience.

Her primary motivation is intertwined with her fragmented past and her connection to Yuuichi. As the story unfolds, it is revealed that Makoto is not an ordinary human. She is in fact a fox that Yuuichi found injured on Monomi Hill ten years prior to the main events. He nursed the fox back to health and kept it in his room during a summer visit, confiding in it about a crush he had on an older girl named Makoto Sawatari, from whom the fox later took her name. At the end of that summer, Yuuichi released the fox back onto the hill, running away as he did so. The fox, feeling abandoned and longing to see Yuuichi again, wished so strongly that her wish was granted, but at the cost of her memories and eventually her life. She was transformed into a human girl, leading to her reappearance at the start of the story. Her central drive is thus a subconscious desire to be with Yuuichi and to reconcile the pain of that abandonment, even as she struggles to understand her own identity.

In the story, Makoto functions as a central protagonist with a deeply emotional arc that explores themes of memory, identity, and the enduring nature of bonds that transcend form. Her role begins with her as a chaotic and hostile presence in Yuuichi's life but gradually shifts toward a more poignant and tragic figure as her true nature and the cost of her existence are revealed. Her development is marked by her transition from a single-minded focus on revenge to a genuine emotional connection with Yuuichi and the others, culminating in a bittersweet acceptance of her fate.

The most significant relationship in her life is with Yuuichi Aizawa. Their dynamic evolves dramatically from initial antagonism and pranks to mutual affection and a deep, unspoken understanding. A key moment in this growth is their pretend marriage, an event that symbolizes her desire for closeness and her acceptance of her feelings. Her bond with Nayuki Minase also proves important, as Nayuki offers her friendship and a sense of belonging within the family. These relationships are crucial to her emotional awakening and ultimately shape her final moments.

As a fox spirit, Makoto is implied to possess certain innate abilities, such as enhanced agility and a connection to the spiritual realm, though these traits are not overtly emphasized in her daily interactions. Her powers tend to fade as she becomes more entwined with human life and emotions. A notable, almost ritualistic detail near the end of her story is her habit of wearing two small bells around her right wrist, the sound of which she enjoys, a final, simple pleasure before her tragic conclusion.