TV-Series
Description
Tsukuyomi manifests as a young girl with long white hair and unsettling brown eyes that hold a wide, disturbing stare. She wears a black and white school uniform, contributing to an aura described as a "twisted adult trapped in a child's body." Her origins trace back to a crow rescued by Sarina Tendouji and Gorou Amamiya at their Miyazaki hospital. This crow watched over Sarina until her death before inhabiting its current human form—a "vessel" born to an unspecified mother Tsukuyomi deems abnormal. She hints her situation parallels the reincarnation of Aqua and Ruby, though her exact origins remain obscured.
She exhibits omniscient-like knowledge, including awareness of Aqua and Ruby's past lives, and claims responsibility for facilitating their reincarnation. Tsukuyomi can transfer souls of the deceased into newborns and commands crows, which frequently accompany her. While possessing great wisdom, she cannot directly read minds; instead, she deduces thoughts through careful observation and deliberate provocation.
Her personality blends cryptic teasing, pride, and occasional childish stubbornness. She employs sarcasm and unsettling revelations to manipulate others, such as confronting Ruby about stealing Sarina's membership card or reminding Aqua that Ai Hoshino's soul is permanently gone. She frames these actions as guiding people toward their "fate" but reacts with irritation when dismissed or underestimated, sometimes leading to impulsive decisions.
Key interventions include guiding Ruby to Gorou's corpse via a crow and revealing that a college student and a middle school boy were involved in Gorou and Ai's deaths, igniting Ruby's vengeance. Later, she taunts Aqua about his fixation on Ai's irreversible death and questions his motives for rebirth. During the production of *The 15 Year Lie*, Aqua exploits Tsukuyomi's pride by challenging her to audition for a child role. Initially resistant and dismissive of her acting skills, she accepts to avoid apologizing, surprising director Taishi Gotanda with her performance under the stage name "Tsukuyomi."
Beneath her aloof exterior lies an attachment to Aqua and Ruby, stemming from her past life as the crow they saved. She views them as "cheeky and cute children" and occasionally intervenes, criticizing actions like Aqua's kindness toward Ruby as a potential "bad move." In the novel *Two Person's Etude*, set years later, she appears as a strikingly beautiful young woman, maintaining her connection to supernatural phenomena and observing characters like Akane Kurokawa, who shows interest in the occult.
She exhibits omniscient-like knowledge, including awareness of Aqua and Ruby's past lives, and claims responsibility for facilitating their reincarnation. Tsukuyomi can transfer souls of the deceased into newborns and commands crows, which frequently accompany her. While possessing great wisdom, she cannot directly read minds; instead, she deduces thoughts through careful observation and deliberate provocation.
Her personality blends cryptic teasing, pride, and occasional childish stubbornness. She employs sarcasm and unsettling revelations to manipulate others, such as confronting Ruby about stealing Sarina's membership card or reminding Aqua that Ai Hoshino's soul is permanently gone. She frames these actions as guiding people toward their "fate" but reacts with irritation when dismissed or underestimated, sometimes leading to impulsive decisions.
Key interventions include guiding Ruby to Gorou's corpse via a crow and revealing that a college student and a middle school boy were involved in Gorou and Ai's deaths, igniting Ruby's vengeance. Later, she taunts Aqua about his fixation on Ai's irreversible death and questions his motives for rebirth. During the production of *The 15 Year Lie*, Aqua exploits Tsukuyomi's pride by challenging her to audition for a child role. Initially resistant and dismissive of her acting skills, she accepts to avoid apologizing, surprising director Taishi Gotanda with her performance under the stage name "Tsukuyomi."
Beneath her aloof exterior lies an attachment to Aqua and Ruby, stemming from her past life as the crow they saved. She views them as "cheeky and cute children" and occasionally intervenes, criticizing actions like Aqua's kindness toward Ruby as a potential "bad move." In the novel *Two Person's Etude*, set years later, she appears as a strikingly beautiful young woman, maintaining her connection to supernatural phenomena and observing characters like Akane Kurokawa, who shows interest in the occult.