Movie
Description
Dola commands a band of air pirates, primarily her three sons Louis, Henri, and Charles, alongside other crew members aboard the airship *Tiger Moth*. Her appearance features a heavyset, stocky build, faded pink hair worn in thick braids, dark eyes, and a large nose. She typically wears a dark blue shirt and pants with lacy white collar and cuffs, gold hoop earrings, and a green brooch, adding a pilot's cap and goggles for flight, or a blue hat with a red band for formal occasions.

Initially driven by greed, Dola pursues protagonists Sheeta and Pazu to seize Sheeta's crystal necklace, believed to lead to the treasures of the floating city Laputa. This pursuit involves attacking military airships and searching mining towns, often using disguises. Her personality shifts significantly after encountering the children; though initially perceived as bossy and selfish, she reveals a softer, maternal side. She grows fond of Sheeta, noting the girl resembles her younger self, and develops a grudging respect for Pazu's determination.

Demonstrating leadership and resourcefulness, Dola commands her crew's unwavering loyalty. Her sons frequently address her as "Mom" despite her insistence on the title "Captain." Upon learning Sheeta is held captive by Colonel Muska at a military fortress, she allows Pazu to join her gang and orchestrates Sheeta's rescue. Though successful, the mission results in Muska obtaining the crystal necklace.

Dola integrates Sheeta and Pazu into her crew, assigning Sheeta galley duties and Pazu to assist her husband, the engineer Motro. After an attack by the military's Goliath airship cripples the *Tiger Moth*, Dola and her crew are captured upon reaching Laputa. Pazu later frees them, enabling their escape on flaptors with a portion of Laputa's treasure. Following Laputa's partial destruction, Dola departs for new adventures after a heartfelt farewell with the children.

Her background as a lifelong air pirate and her evolving dynamic with the protagonists underscore her transition from antagonist to ally, driven by pragmatism and latent compassion.