TV Special
Description
Mei Tachibana operates as a police officer at Banzaibashi Police Station, self-styling as a "super cop" while her conduct consistently contradicts this title. She obsessively collects anything she deems "cute," though her definition encompasses unsettling items like bus stop signs, grave markers, store mannequins, and statues—exemplified by her attempt to steal a Colonel Sanders figure while falsely accusing the restaurant manager of sexual assault. This compulsion drives her to weaponize police authority, fabricating arrests for reasons like "not looking Christmassy" or "eating food after three seconds" to seize desired objects through intimidation, openly admitting her actions when unchallenged under the belief that uncaught acts are justified.
Professionally negligent and self-serving, she skips duties and ignores legitimate crimes when distracted by personal fascinations. Colleagues frequently reprimand her as an unreliable "weirdo" and troublemaker, while locals avoid her out of fear. Though she claims dedication to Akihabara’s peace, she prioritizes whims, openly disparaging police work during off-duty drinking sessions and citing job stability as her primary career motive. Confrontations trigger volatile aggression; she deploys collapsible swords, firearms, or grenades against obstacles—such as throwing a sword at Jashin-chan after Yurine revoked custody, or shooting/threatening others in disputes.
She forges non-consensual attachments to supernatural beings, notably Jashin-chan (nicknamed "Orochimaru"), whom she illegally detains due to "love at first sight," repeatedly tries to claim, and once purchased from Yurine. This fixation extends to kidnapping Koji to "stuff or pickle" her, detaining Pekora for her "exhausted face," and abducting Ran-Ran solely in toy panda form while ignoring her humanoid self. Interpersonally, she forms a "Rebellion Alliance" with Yusa to vent frustrations over narrative neglect and joins group drinking at "Eclipse" bar to complain about being sidelined.
Physically strong, Mei lifts life-sized statues or tombstones. She has short black hair, golden eyes, a 165 cm height, and typically wears her police uniform. Her space overflows with stolen curiosities—totem poles to bus stops—where she forcibly poses "cute" acquisitions like Jashin-chan for photos using rubber bands or grips. Across all media, including "Battle" where she uses gun barrages and grenades, she remains erratic, self-motivated, and static, perpetually seeking narrative attention despite minimal impact.
Professionally negligent and self-serving, she skips duties and ignores legitimate crimes when distracted by personal fascinations. Colleagues frequently reprimand her as an unreliable "weirdo" and troublemaker, while locals avoid her out of fear. Though she claims dedication to Akihabara’s peace, she prioritizes whims, openly disparaging police work during off-duty drinking sessions and citing job stability as her primary career motive. Confrontations trigger volatile aggression; she deploys collapsible swords, firearms, or grenades against obstacles—such as throwing a sword at Jashin-chan after Yurine revoked custody, or shooting/threatening others in disputes.
She forges non-consensual attachments to supernatural beings, notably Jashin-chan (nicknamed "Orochimaru"), whom she illegally detains due to "love at first sight," repeatedly tries to claim, and once purchased from Yurine. This fixation extends to kidnapping Koji to "stuff or pickle" her, detaining Pekora for her "exhausted face," and abducting Ran-Ran solely in toy panda form while ignoring her humanoid self. Interpersonally, she forms a "Rebellion Alliance" with Yusa to vent frustrations over narrative neglect and joins group drinking at "Eclipse" bar to complain about being sidelined.
Physically strong, Mei lifts life-sized statues or tombstones. She has short black hair, golden eyes, a 165 cm height, and typically wears her police uniform. Her space overflows with stolen curiosities—totem poles to bus stops—where she forcibly poses "cute" acquisitions like Jashin-chan for photos using rubber bands or grips. Across all media, including "Battle" where she uses gun barrages and grenades, she remains erratic, self-motivated, and static, perpetually seeking narrative attention despite minimal impact.