TV-Series
Description
Eiku Shizuma is an immortal swordsman affiliated with the Ittō-ryū, serving as an early antagonist. He gained immortality roughly 200 years prior to the main events through kessen-chu bloodworms, parasitic organisms that grant regenerative abilities and near-agelessness, during Japan's Muromachi period. This endless existence shaped his worldview, leading him to find eternal life tiresome and driving his quest for companionship among fellow immortals.

Shizuma conceals his appearance beneath the traditional basket hat of a komusō monk. Motivated by a desire to seize power, he deems figures like Anotsu Kagehisa unworthy of their influence. He attempts to recruit Manji as an ally against Anotsu, framing their potential partnership as a transcendent union of equals beyond mortal concerns. When rejected, he employs brutal Ittō-ryū tactics including ambushes and psychological manipulation.

His combat style exploits his regenerative immortality, often disregarding defense entirely. He wields dual poisoned weapons—a dagger and saber both named *Inoue Shinkai Kosatsu* (Wormkiller)—coated with kessen-satsu toxin, a substance lethal to kessen-chu bloodworms. This poison cripples regeneration in other immortals, making him uniquely dangerous to Manji. Centuries of relying on his healing factor have eroded his swordsmanship discipline, becoming a tactical flaw.

Shizuma’s philosophy surfaces through dialogue, revealing disillusionment with eternal life. He recounts witnessing dynasties collapse and compares immortality to living "like a worm," openly expressing weariness with his condition. His final confrontation with Manji ends in decapitation. Though the bloodworms initially sustain him, the kessen-satsu poison gradually overwhelms their regenerative power, confirming the limits of his immortality.

In the live-action film adaptation, Shizuma appears briefly during Manji and Rin’s journey to Fukagawa. His role remains consistent with the source material, confronting Manji and brandishing his poisoned weapons, though the encounter lacks the manga’s extended philosophical exploration.