Hector Lee is a Mexican actor, voice actor, and dubbing director with a career spanning over four decades. He is widely recognized for his extensive work in Latin American Spanish dubbing, lending his voice to a vast array of characters in animation, live-action film, and television. His body of work is notable for its range, from iconic family-friendly characters to dramatic roles in major Hollywood films.

In the realm of anime, Lee has contributed to several titles for Mexican Spanish dubs. He is credited with voicing Malves Garitier in the series Log Horizon: Destruction of the Round Table. He also played the role of Franz Robinson in the anime adaptation Swiss Family Robinson. His other significant anime roles include providing the voice for the titular character Doraemon, known as Robotín in this early Mexican dub, in the film Doraemon: Nobita's Dinosaur. He also voiced King Kai in Dragon Ball Z: Battle of Gods, Bucker in Fairy Princess Minky Momo, and Judge Robo in Tribe Nine. Lee was also part of the cast for the Mexican Spanish dub of the influential series Neon Genesis Evangelion.

Beyond anime, Lee's career is distinguished by a multitude of high-profile roles. He is celebrated for being the voice of E.T. in the classic film E.T. the Extra-Terrestrial. He has been a recurring voice in Muppets productions, most notably as Gonzo and Animal. His other renowned character voices include Iago the parrot in Aladdin, the villainous Bocón the Rude in How to Train Your Dragon, and Mr. Smee in Jake and the Never Land Pirates. His extensive filmography also includes voicing characters in major franchises, such as Dr. List in Avengers: Age of Ultron and the Penguin in the original dub of Batman Returns.

Throughout his long career, Lee has worked on numerous projects with a wide range of other voice acting talents in the Mexican dubbing industry. His expertise and longevity in the field have also led him to share his knowledge, teaching master classes in dubbing to aspiring actors. In these sessions, he emphasizes the importance of fully inhabiting a character to match the tone and personality of the original performance.