TV-Series
Description
In the 2008 anime series Hakaba Kitarō, the character known as Fake Kitarō appears as a doppelgänger who physically resembles the protagonist but with distinct differences in his appearance and nature. Unlike the real Kitarō, who keeps his left eye hidden beneath his hair, Fake Kitarō does not cover his left eye, revealing a face that is otherwise similar. The most notable distinction in his outfit is his vest; while Kitarō wears a traditional black and yellow vertically striped vest known as a chanchanko, Fake Kitarō wears a vest with a black and yellow checker pattern.

Fake Kitarō is introduced in the fifth episode of the series, titled Fake Kitarou. His background is not extensively detailed, but he is described as an evil spirit who has taken on the form of Kitarō. His primary role in the story is that of an impostor who uses his resemblance to the real Kitarō to deceive others for personal gain. He is a selfish and manipulative individual, particularly in his initial appearance, though his experiences later in the narrative lead to a change in his character.

His motivations center on trickery and exploitation. He collaborates with the opportunistic yōkai Nezumi-Otoko, also known as Rat-Man, to enact various schemes. One of his first acts is to assist Nezumi-Otoko in disrupting a singing performance by Neko, a girl Kitarō cares for, by throwing a rat onto the stage. Seizing the ensuing chaos, he swiftly swaps his own checkered vest for Kitarō's powerful striped vest, which possesses unique supernatural properties. With the stolen chanchanko, Fake Kitarō is able to walk in Hell, the realm of the dead. His motivations are largely materialistic, as he plots with Nezumi-Otoko to obtain a large sum of money, using the vest to navigate the afterlife and presumably carry out their financial cons.

Key relationships define his role in the story. His primary alliance is with Nezumi-Otoko, who often acts as the brains behind their greedy operations, treating the impostor as a subordinate in their schemes. In one instance, both Fake Kitarō and Nezumi-Otoko find themselves competing for the affection of a toad lady, though this leads to conflict rather than cooperation. His most significant interaction is with the real Kitarō and his allies. In a pivotal act of villainy, Fake Kitarō pushes Neko off a bridge in an attempt to harm her, forcing the real Kitarō to jump after her in a rescue effort. This event sets into motion a chain of events that leads Fake Kitarō into the underworld, where his character begins to evolve. Upon awakening in a mysterious place, he encounters Kitarō's father, Medama-Oyaji, who has also journeyed to Hell in an attempt to bring Neko back. This journey into the afterlife serves as a turning point for him.

Fake Kitarō does not possess the same innate abilities as the genuine Kitarō. Instead, his power is derived from the items he steals, most notably the chanchanko vest, which grants him the ability to travel to and from Hell. Without this vest, he appears to be a fairly ordinary spirit who relies on trickery, deception, and his physical resemblance to the real Kitarō to achieve his goals. He does not demonstrate unique yōkai powers such as energy blasts or hair manipulation, which are hallmarks of the true Kitarō. His effectiveness as an antagonist comes from his cunning and his willingness to exploit the trust of others who cannot immediately tell him apart from the protagonist.

The character undergoes notable development throughout his appearance in the series. He begins as a straightforward villain motivated by selfishness and greed, showing little regard for the well-being of others. His betrayal of Neko and theft of the chanchanko exemplify his early malicious nature. However, his sojourn in Hell with Medama-Oyaji proves to be transformative. Described as a selfish boy whose experiences in the underworld changed him, the narrative implies a significant shift in his personality. While the specifics of this change are not exhaustively detailed, it suggests a move away from pure antagonism, perhaps toward a more ambiguous or reformed state, as he is later listed among the cast of characters separate from the primary threats. The story shows that even figures who begin as deceptive impostors are not beyond the potential for personal change when confronted with the profound realities of the afterlife.