TV-Series
Description
Matsuzo Matsuno, father of the six Matsuno brothers, is a short, broad, and plump man with round eyes, a prominent nose, gopher-like buckteeth, and a curly mustache. His hair is closely shaved at the sides, and he favors suits or casual long-sleeved shirts paired with pants. Manga serializations gradually rendered his stature shorter and squatter, though later adaptations retained his core design.

Initially owner of the liquor shop Mimatsuya before his sons’ births, he shifted to a salaryman career to provide for his family. This change brought financial precarity, worsened by his habit of misplacing paychecks, forcing the family to resort to extreme measures like sending the children to work or enduring hunger. Some lost checks were recovered, while others were pilfered by figures like Iyami.

His personality oscillates between stern authority and hapless vulnerability, often overmatched by his chaotic sons and taxing job. Discipline attempts are frequently halfhearted or thwarted by their antics, though he sporadically reveals a whimsical demeanor, such as casually rejecting Osomatsu’s plea for personal space. An avid devotee of the Chunichi Dragons baseball team, he clings to this hobby amid familial chaos.

Earlier manga chapters suggested the family residence was a repurposed liquor store, but later adaptations, including the 2015 series, depicted Matsuzo and his wife Matsuyo relocating to a new home. A TV drama briefly altered his name to Matsutaro Matsuno, likely an oversight regarding naming traditions.

As a parent, Matsuzo embodies enduring patience yet beleaguered exasperation, grappling with six troublemaking sons. He and Matsuyo share mutual frustration over their adult children’s unemployment and refusal to leave home. Despite these tensions, he remains a steadfast figure in their lives, sometimes engaging with secondary characters like Iyami and Chibita. Documented media maintains his role as a perpetually harried patriarch, emphasizing comedic clashes with familial and financial pressures across all portrayals.