TV-Series
Description
Aily Yamamoto, originally named Kentaro Yamamoto, stands as a central figure in the Back Street Girls franchise. Born male, Kentaro endured parental abandonment in childhood and took various odd jobs before joining the Inugane Yakuza. There, he rose to lead a trio including Ryo Tachibana and Kazuhiko Sugihara. After a critical mission failure, boss Kimanjiro Inugane presented them with an ultimatum: ritual suicide or undergoing sex reassignment surgery in Thailand to become a female idol group. Kentaro chose surgery, transitioning into Aily Yamamoto.

As Aily, she now spearheads the idol group Gokudolls, distinguished by chest-length brown hair and brown eyes. Despite her feminine exterior, she retains masculine mannerisms, speech patterns, and a yakuza mentality, often clashing with her public idol duties. This duality fuels internal conflict, though she occasionally adapts to her new role—such as accepting luxury gifts from fans, echoing her past yakuza behaviors.

A pivotal storyline involves her unresolved history. As Kentaro, he abandoned a girlfriend to shield her from criminal life. Post-transition, Aily discovers this ex-girlfriend has a young daughter who idolizes her. Believing the child might be biologically hers, she wrestles with revealing her identity. The live-action film’s mid-credits scene reveals the daughter is unrelated, causing Aily to faint from shock.

Her relationships balance loyalty and trauma. She shares an unbreakable bond with her fellow Gokudolls, leveraging their yakuza brotherhood to overcome idol challenges. Conversely, interactions with Boss Inugane are laced with fear and submission, as he enforces idol compliance through threats. This coercion peaks when Inugane forces the group to publicly renounce yakuza activities in the live-action film.

Her combat skills reemerge during the film’s climax against antagonist Seiji Koizumi. Aily seizes a katana to neutralize his henchmen, showcasing her undiminished fighting prowess—a visceral reminder of the tension between her violent past and performative present.