TV-Series
Description
Sōichi Tsujii, an eccentric 11-year-old with a pallid complexion and anemia-driven iron-nail-chewing habit, declares himself a master of black magic. Though born on May 3, he fabricates his birthdate as June 6 at 6:06:06, embracing ominous symbolism. His family—older brother Koichi, sister Sayuri, and cousin Michina, with whom he shares a birthday rivalry—fuels his spite, particularly toward Koichi, whom he torments with pranks and curses.
Blending childish mischief with genuine occult power, Sōichi wields katashiro dolls to inflict curses: hammering nails into effigies to induce stomach pain or scattering toy spiders to provoke arachnid-themed hallucinations. These rituals sometimes succeed but often rebound, such as when a spider-costumed scare tactic backfired, trapping him in a landowner’s snare.
His supernatural repertoire spans weather manipulation, corpse resurrection, and crafting life-sized animated dolls. He asserts communication with all dolls, spits iron nails from his mouth, and performs rituals like the "Ushi no toki mairi" curse while adorned with candles.
Resentment toward Michina drives him to haunt her using his deceased grandmother and an imaginary twin, Souji. Obsessed with vampirism, he files his teeth into fangs, demands a Western coffin, and reanimates his grandfather to construct it.
As an adult, Sōichi becomes a nomadic haunted-house showman, warping family members into grotesque puppets through spells to staff his attractions. His union with Miss Fuchi, a cannibalistic entity, produces a monstrous son, Binzo. Fleeing her, he is hunted down and coerced into submission.
His schemes oscillate between malice and farce. He nearly suffocates while mimicking cicadas inside Koichi’s soundproof study walls and suffers electrocution after a botched cat-curse rebounds.
Convinced of his popularity yet socially shunned, Sōichi’s erratic laughter and self-directed chatter unsettle classmates. Delusions of grandeur lead him to spread exaggerated heroics, inviting supernatural vengeance—like a swamp creature devouring him over trespassing rumors.
Spanning childhood mischief to adult chaos, his narrative weaves dark humor through familial strife, failed plots, and self-sabotage, cementing his legacy as a tragicomic agent of macabre folly.
Blending childish mischief with genuine occult power, Sōichi wields katashiro dolls to inflict curses: hammering nails into effigies to induce stomach pain or scattering toy spiders to provoke arachnid-themed hallucinations. These rituals sometimes succeed but often rebound, such as when a spider-costumed scare tactic backfired, trapping him in a landowner’s snare.
His supernatural repertoire spans weather manipulation, corpse resurrection, and crafting life-sized animated dolls. He asserts communication with all dolls, spits iron nails from his mouth, and performs rituals like the "Ushi no toki mairi" curse while adorned with candles.
Resentment toward Michina drives him to haunt her using his deceased grandmother and an imaginary twin, Souji. Obsessed with vampirism, he files his teeth into fangs, demands a Western coffin, and reanimates his grandfather to construct it.
As an adult, Sōichi becomes a nomadic haunted-house showman, warping family members into grotesque puppets through spells to staff his attractions. His union with Miss Fuchi, a cannibalistic entity, produces a monstrous son, Binzo. Fleeing her, he is hunted down and coerced into submission.
His schemes oscillate between malice and farce. He nearly suffocates while mimicking cicadas inside Koichi’s soundproof study walls and suffers electrocution after a botched cat-curse rebounds.
Convinced of his popularity yet socially shunned, Sōichi’s erratic laughter and self-directed chatter unsettle classmates. Delusions of grandeur lead him to spread exaggerated heroics, inviting supernatural vengeance—like a swamp creature devouring him over trespassing rumors.
Spanning childhood mischief to adult chaos, his narrative weaves dark humor through familial strife, failed plots, and self-sabotage, cementing his legacy as a tragicomic agent of macabre folly.