Aaricia Dubois is a Belgian actress and singer who has built a career as a voice actor, beginning her work in dubbing at the age of seven. Her early and consistent presence in recording studios throughout her childhood and adolescence led her to pursue performance further, including participation in amateur musicals and formal training at the Conservatoire de Théâtre de Bruxelles, which she entered in 2016. This background in both voice work and stage performance has informed her approach to character interpretation.

Dubois is known for her voice work in anime, bringing characters to life for French-language audiences. One of her notable roles is Hina Sato in the television anime series The Day I Became a God, which was dubbed by the studio Hiventy under the direction of Cécile Florin. Another significant film role is Momo Miyaura in the animated feature A Letter to Momo, where she voiced the title character in the French version. Her work also extends to other animated productions, such as the film Kérity, la maison des contes, where she voiced the character of Little Red Riding Hood.

In addition to her anime roles, Dubois frequently lends her voice to a variety of characters in animation and video games. She has noted that she is often cast in children's roles, a specialty she attributes to starting her career young and being able to access a bright and uninhibited vocal quality. An example of this is her role as Lily, a small, caring flame, in the video game Asfalia. This project, which focuses on emotional exploration for children, resonated with her academic interests; she completed a master's degree in teaching with a final thesis on gender stereotypes. Her perspective on voice acting is deeply connected to emotional authenticity, drawing from her own experiences and the guidance of artistic directors to portray a wide spectrum of feelings.

While specific recurring collaborations are not extensively documented, her work on The Day I Became a God placed her among a cast of Belgian voice actors frequently utilized by studios like Wakanim for simul-dub projects during that period. Her career reflects a path within the close-knit French-language dubbing industry in Belgium, where she is considered a versatile performer capable of working across film, television, animation, and video games.