Princess Peach features in all three Amada Anime Series OVAs, her specific role and background shifting with each adapted fairy tale.

In *Super Mario Momotarō*, Bowser captures Peach, intending to claim her. She possesses familial ties to an elderly Hammer Bro couple called Ojīsan and Obāsan, suggesting they raised her within this adaptation. Her rescue forms the central motivation driving Mario’s quest.

For *Super Mario Issun-bōshi*, Peach appears as "the chancellor’s daughter." Conflict erupts when Bowser storms her kingdom, demanding marriage. This portrayal underscores her noble status and position as a target for forced union, culminating in her capture. Mario, reimagined as the inch-tall hero, confronts Bowser to secure her freedom.

In *Super Mario Shirayuki-hime*, Peach embodies the Snow White archetype. Bowser, cast as a jealous queen, seeks her elimination after a magic mirror declares Peach the "Fairest of Them All." Poisoned by a tainted apple supplied by Bowser, she falls into a death-like slumber. Her protection involves seven Toads (replacing dwarfs) and Mario, who administers a revival potion. Unlike the original tale, Bowser survives the confrontation.

Across these OVAs, Peach consistently functions as a damsel in distress; her capture or endangerment initiates and propels each narrative. Her relationships adapt to the stories: a niece in *Momotarō*, a noble’s daughter in *Issun-bōshi*, and a rival queen in *Shirayuki-hime*. Her physical appearance remains her standard design, including the pink dress and crown. Character development remains confined within each individual tale.