Liliana Sorrentino
Description
Liliana Sorrentino is an Italian voice actress and dubbing director, born in Rome in 1954. She began her career in the entertainment industry at the age of four, accompanying her brother, actor and voice actor Claudio Sorrentino, to a dubbing session and soon after started working as a child voice actress. Her early work included voicing characters in classic films such as Mary Poppins and The Sound of Music. In addition to her voice work, she has acted in television series and theater productions, receiving an award as best young actress in 1970 and joining the Compagnia dei Giovani theater company in 1974.
Sorrentino has built an extensive career in dubbing, lending her voice to numerous live-action actresses. She is known for dubbing Heather Locklear in Melrose Place and other projects, and has also provided the Italian voice for actresses including Mia Farrow, Patricia Clarkson, and Cate Blanchett. Between 1974 and 1984, she voiced Erin Moran's character Joanie in the series Happy Days.
In the realm of anime, Sorrentino has voiced many iconic characters. Her roles from the user's examples include Pincho in Phoenix 2772 - Space Firebird, Fiorellino in Honey Honey no Suteki na Bōken, Dulcinea in Zukkoke Knight - Don De La Mancha, and Sayaka Yumi in Mazinger Z. She is also recognized for voicing Ritsuko Akagi, a role she has performed across numerous productions including the original Neon Genesis Evangelion series, its films Death & Rebirth and The End of Evangelion, and the entire Rebuild of Evangelion film tetralogy, concluding with Evangelion: 3.0+1.0: Thrice Upon A Time.
Her other prominent anime roles include Pollon in C'era una volta... Pollon, Maria Fleed (second voice) in UFO Robot Goldrake, and Nanà in Lulù, the angel of flowers. She has also voiced characters in works such as Candy Candy, Mobile Suit Gundam, and The Wonderful Wizard of Oz, among many others. Beyond performance, Liliana Sorrentino works as a dubbing director for Italian and international films.
Sorrentino has built an extensive career in dubbing, lending her voice to numerous live-action actresses. She is known for dubbing Heather Locklear in Melrose Place and other projects, and has also provided the Italian voice for actresses including Mia Farrow, Patricia Clarkson, and Cate Blanchett. Between 1974 and 1984, she voiced Erin Moran's character Joanie in the series Happy Days.
In the realm of anime, Sorrentino has voiced many iconic characters. Her roles from the user's examples include Pincho in Phoenix 2772 - Space Firebird, Fiorellino in Honey Honey no Suteki na Bōken, Dulcinea in Zukkoke Knight - Don De La Mancha, and Sayaka Yumi in Mazinger Z. She is also recognized for voicing Ritsuko Akagi, a role she has performed across numerous productions including the original Neon Genesis Evangelion series, its films Death & Rebirth and The End of Evangelion, and the entire Rebuild of Evangelion film tetralogy, concluding with Evangelion: 3.0+1.0: Thrice Upon A Time.
Her other prominent anime roles include Pollon in C'era una volta... Pollon, Maria Fleed (second voice) in UFO Robot Goldrake, and Nanà in Lulù, the angel of flowers. She has also voiced characters in works such as Candy Candy, Mobile Suit Gundam, and The Wonderful Wizard of Oz, among many others. Beyond performance, Liliana Sorrentino works as a dubbing director for Italian and international films.
All Characters
- ItalianAnime overview: Phoenix 2772 - Space Firebird
- ItalianAnime overview: Honey Honey no Suteki na Bōken
- ItalianAnime overview: Zukkoke Knight - Don De La Mancha
- ItalianAnime overview: Mazinger Z
- ItalianAnime overview: Evangelion: 3.0+1.0: Thrice Upon A Time
- ItalianAnime overview: Neon Genesis Evangelion: Death & Rebirth
- ItalianAnime overview: Majokko Megu-chan
- ItalianAnime overview: Evangelion: 1.0 You Are (Not) Alone
- ItalianAnime overview: Evangelion: 2.0 You Can (Not) Advance
- ItalianAnime overview: Evangelion: 3.0 You Can (Not) Redo
- ItalianAnime overview: Neon Genesis Evangelion: The End of Evangelion
- ItalianAnime overview: Neon Genesis Evangelion