Movie
Description
Macy Baljure, the former lead singer of Cecile Die Twice, performed alongside Ninny Spangcole before departing abruptly, fueling media speculation. Privately, she never enjoyed the band, feeling untalented and out of place, believing her inclusion stemmed solely from her appearance, dancing skills, and height. She remained only for Ninny and the fear of losing fame. Two months before the main events, she encountered an infant dragon during the rain after bumping into Balgo Parks. Mistaking it for a hallucination at first, she confirmed its reality when it drank water after she brought it home. Naming the dragon Elly, she forged an immediate, deep bond, viewing Cinderella as a source of strength and purpose that filled her life's void. This connection made her feel uniquely special, as only she could see the dragon, and she believed Elly would eventually take her to a special place.
Typically timid and reserved offstage, Macy harbors an intense, obsessive infatuation with Ninny Spangcole. This drives her to extreme actions against anyone she perceives as targeting Ninny. For example, after "The Realist" media outlet published a manipulated video implying Ninny disparaged her, Macy commanded Cinderella to destroy part of their Reverse London office. She reacts with violent hysteria towards women interacting familiarly with Ninny, leading to physical attacks, like throwing a desk at Noel Niihashi merely for talking to her. This obsession can turn hostile even towards Ninny under stress, such as when Ninny tried to take Cinderella away for Macy's safety. Underlying this is a profound depression; she described never being her "true self" in Cecile Die Twice. Her bond with Cinderella alleviated this depression, and after becoming a Dragonclad, she became noticeably happier and more amiable, especially learning she would remain under Ninny's care.
Tall and slim, Macy has chin-length pink hair, often styled with a large cowlick on her right forehead. During Cecile Die Twice performances, she wore her hair in a swirl covering her forehead and right eye, with dramatic eyeliner and a sleek black cleavage-exposing outfit. Everyday attire consists of a tan trench coat with furred shoulders, lace-trimmed sleeves, a waist sash, and fur-trimmed boots. As a Dragonclad, her attire shifted to a light-colored knee-length dress featuring a tapered collar, seven front buttons, a white belt, a watch on her left wrist, and a thin black neck collar.
Macy's plot revolves around Cinderella. After leaving the band, she retaliated against "The Realist" using Cinderella's explosive energy blasts. Confronted by Ninny and Noel, she refused to relinquish the dragon and directed it to attack them. After Noel incapacitated Cinderella and Bruno Bangnyfe revealed his manipulation, Macy was separated from the dragon during the chaos. She later witnessed Cinderella molt into her true form as the Märchen-class dragon "Cinderella," which began destroying Reverse London. Macy pleaded for nonlethal subjugation, insisting she could communicate, but the dragon no longer understood her. Following Cinderella's death, Macy was appointed a Dragonclad under Noel and Ninny's guardianship.
Macy possesses Dragon Sight, allowing her to see dragons naturally as a Watcher despite being Front London-born. She also displays enhanced physical strength when angered, exemplified by effortlessly throwing a desk. Her arc concludes with her transition to Dragonclad status, marking a shift toward stability and contentment.
Typically timid and reserved offstage, Macy harbors an intense, obsessive infatuation with Ninny Spangcole. This drives her to extreme actions against anyone she perceives as targeting Ninny. For example, after "The Realist" media outlet published a manipulated video implying Ninny disparaged her, Macy commanded Cinderella to destroy part of their Reverse London office. She reacts with violent hysteria towards women interacting familiarly with Ninny, leading to physical attacks, like throwing a desk at Noel Niihashi merely for talking to her. This obsession can turn hostile even towards Ninny under stress, such as when Ninny tried to take Cinderella away for Macy's safety. Underlying this is a profound depression; she described never being her "true self" in Cecile Die Twice. Her bond with Cinderella alleviated this depression, and after becoming a Dragonclad, she became noticeably happier and more amiable, especially learning she would remain under Ninny's care.
Tall and slim, Macy has chin-length pink hair, often styled with a large cowlick on her right forehead. During Cecile Die Twice performances, she wore her hair in a swirl covering her forehead and right eye, with dramatic eyeliner and a sleek black cleavage-exposing outfit. Everyday attire consists of a tan trench coat with furred shoulders, lace-trimmed sleeves, a waist sash, and fur-trimmed boots. As a Dragonclad, her attire shifted to a light-colored knee-length dress featuring a tapered collar, seven front buttons, a white belt, a watch on her left wrist, and a thin black neck collar.
Macy's plot revolves around Cinderella. After leaving the band, she retaliated against "The Realist" using Cinderella's explosive energy blasts. Confronted by Ninny and Noel, she refused to relinquish the dragon and directed it to attack them. After Noel incapacitated Cinderella and Bruno Bangnyfe revealed his manipulation, Macy was separated from the dragon during the chaos. She later witnessed Cinderella molt into her true form as the Märchen-class dragon "Cinderella," which began destroying Reverse London. Macy pleaded for nonlethal subjugation, insisting she could communicate, but the dragon no longer understood her. Following Cinderella's death, Macy was appointed a Dragonclad under Noel and Ninny's guardianship.
Macy possesses Dragon Sight, allowing her to see dragons naturally as a Watcher despite being Front London-born. She also displays enhanced physical strength when angered, exemplified by effortlessly throwing a desk. Her arc concludes with her transition to Dragonclad status, marking a shift toward stability and contentment.